Qualiart’s “Discover The One Japanese Art” exhibition at the Menier Gallery

Mick Davies, together with Nicholas Usherwood [Editor of Galleries magazine, Member of the Board of Trustees of the FBA and Chairman of its Exhibitions Committee] were invited for the 3rd year running to open Qualiart’s “Discover The One Japanese Art” exhibition, which took place at the Menier Gallery in London.

This show is the Japanese version of the RBA’s RISING STARS and Mr Kushida, CEO of Qualiart, also asked Mick Davies and Nicholas Usherwood to choose the winners from the show. These winning artists will also be having another exhibition in the Tokyo Station Gallery.  The works shown were the shortlist of artists who entered and the artists enjoyed meeting Mick and Nicholas and talking about their work.

Mick was the Guest of Honour at a dinner party which was held at The Table Cafe in Southwark, (unfortunately Nicholas was unable to attend). The evening was enjoyed by all.

30/05/2018

Mick Davies giving his opening speech

30/05/2018

Mr Kushida introducing his guests

30/05/2018

Nicholas discussing the work with the artist

30/05/2018

Nicholas Usherwood giving his speech

30/05/2018

Speeches at the dinner party

30/05/2018

The Reception at the Menier Gallery

Retrospective Exhibition for Christopher Hall

Christopher Hall Retrospective will take place at the West Berkshire Museum in Newbury between the 6th June and 1st July, 2018. The exhibition will be looking at his life and work. This will be the last time his work will be exhibited together before being sold off, so please take this opportunity to come and see it.

The Museum is located at the Wharf, Newbury, opposite the public library. The hours of operation are Wednesday – Sunday 10am – 4pm.  For more information as well as a map please visit http://www.christopherhall-painter.com/exhibits.html

Liam Culver is made a Fellow of the RBA

 

Liam Culver, designer of the new RBA website received his certificate from the President Nick Tidnam at the Council Meeting on 1st May. Liam was thanked by the Council for all his work and his creative approach to the marketing of the 2018 RBA Annual Exhibition.

Teresa Hunyadi Winner of the 2018 Rome Scholarship

The Royal Society of British Artists is able to offer this major scholarship as a result of a generous bequest from the late Mr. G H Benn in memory of his late wife Marianne Von Werther, a former member of the RBA. The prize is presented with a view to offer an enriching learning experience for a young emerging artist as well as augmenting their professional profile.

It is with great pleasure that the RBA introduce the winner of the Rome Scholarship – Teresa Hunyadi.

Teresa Hunyadi (b. Austria 1985) graduated from the University of Applied Arts Vienna in 2015 and primarily works in sculpture and drawing. 2015 she studied on exchange at the Joshibi University of Arts and Design Japan to pursue her focus on wood carving. Since then Teresa has continued specialised training in working with wood in a contemporary context. As an emerging artist she has exhibited in Austria, France, Japan and the UK. Her current studio is at Edinburgh Sculpture Workshop. She received multiple awards for her work and was selected for the Emerging Artists Bursary Scheme 2017/18 by the City of Edinburgh Council and Creative Scotland.

www.teresahunyadi.com
Video of last solo exhibition: https://vimeo.com/245218143

New Members of the RBA

The Royal Society of British Artists welcome the following artists as Members of the Society: Annie Boisseau, Susie Perring, Melissa Scott-Miller, David Sprakes, Callum Stannard, and Will Taylor. We look forward to working with them all.

04/04/2018

Chelsea Embankment by Melissa Scott-Miller

04/04/2018

Cut Away with Green Hollow by David Sprakes

04/04/2018

The Retirement of the Chairman by Will Taylor

04/04/2018

Enchanted Forest by Susie Perring

04/04/2018

Drifting Clouds by Annie Boisseau

04/04/2018

St Sebastian by Callum Stannard

Alan Sorrell – A New Biography

Alan Sorrell : The Man who created Roman Britain

A new biography by Julia Sorrell & Mark Sorrell


Portrait of Alan Sorrell by Elizabeth Sorrell

Julia Sorrell describes her thoughts on the writing of a new biography about her father Alan Sorrell.

‘Back in 2015 I settled down to write my section of a new biography on my father Alan Sorrell, whilst my brother Mark would write his section, paying particular attention to our father’s contribution to archaeology. He went into detail about my father’s method of approach and his working relationship with leading archaeologists of the day, whilst I concentrated on his life both artistically and emotionally. The book was commissioned by Oxbow books and funded by Marc Fitch Fund and Historic Environment Scotland. Realising I was shortly going to Orkney to create an exhibition of work, there seemed little time to give justice to both projects. Therefore I concentrated on collating all my father’s writings and correspondence being, on the one hand, very careful not to cross into Mark’s territory, yet trying to give a written portrait of this artist who reputedly has more works in British public collections than any other 20th century artist. As Gavin Stamp remarked in ‘Apollo’ in January 2014: ‘. . . no artist has done more visually to educate the (British) public about past civilisations than Alan Sorrell,’ adding that, in the Sir. John Soane exhibition, Alan ‘emerges here as a neo-Romantic artist of great charm and skill, a worthy contemporary of Eric Ravillious and Edward Bawden.’

Hadrian’s Wall.
Never having written a book before, I would lie awake considering how to tackle it. And, as so often happens, one’s brain is lucid for the insomniac at night – for others their Archimedes crowning moment can be in a bath. Of course, if I read all relevant material and copied and pasted quotes in differing font colours for varying headings e.g. emotional, work etc., then my research would be easier. I thought this discovery so original and felt really pleased. Later, however, when seated next to an academic historian at a dinner in Cambridge, and feeling a bit at a loss what to say, I confided in him my brainwave. His reaction was wonderful. He looked at me and roared with laughter and said: ‘That is how many of us academics do their research today.’ ‘Oh’ I limply replied. Mind you, the ice had been broken, and I acknowledged there is no such thing as originality! For those wishing to know more about the contents broached in the biography, I have included a link to my blog and if I have whetted your appetites still further I am delighted to say that the book will be on sale in the Mall Galleries shop and if you do buy it, I hope above all you will relish the diversity and quality of this fascinating man’s work, of which there are many examples illustrated. Of course I am biased, but nevertheless I believe he deserves a place in the art history books. For me, the writing of it was my small way of saying ‘thank you’ to my father. If you wish to ask me in person, or email me at julia@juliasorrell.com any questions, I should be delighted to answer them.
https://www.oxbowbooks.com/oxbow/blog/2018/01/11/alan-sorrell-man-created-roman-britain/

Stonehenge


Myton School Mural


The Planting of the Trees